1. Copyright notice

© 2026 Split-Dose Records / DJ K-Mad. All rights reserved. Unless otherwise noted, the recordings, artwork, page copy, and design on this site are owned or licensed by Split-Dose Records and may not be copied, redistributed, or used commercially without permission.

2. AI-generated content

Music on this site is produced with AI assistance. To the best of the artist's understanding, the artist holds the commercial rights to the resulting outputs under the license of the generating tool used to create them.

Only content the artist reasonably believes it has the rights to is published here. This is a good-faith statement: AI-assisted work sits on evolving legal ground, and if anything published turns out to conflict with someone else's rights, the intent is to fix it quickly — see the takedown procedure below.

3. Trademarks & third-party brands

CVS®, CVS Pharmacy®, Dynavax®, Heplisav-B®, Prevnar 20®, Pfizer®, Shingrix®, Abrysvo®, Boostrix®, and every other company, brand, product, and vaccine name appearing in songs, titles, lyrics, artwork, or copy on this site are trademarks of their respective owners.

Those names are used nominatively and expressively — to refer to the real products, medicines, and workplaces the music is about — within original expressive works of musical commentary, homage, and satire. The marks are not used to identify the source of this project, and this project offers no goods or services under them.

No sponsorship or endorsement. None of the companies named here created, sponsors, approves, or endorses this project or its music, and nothing on this site should be read as implying otherwise — in either direction.

Non-commercial. Nothing is sold on this site, no advertising runs here, and no revenue is generated from these references; to date the project operates entirely at the artist's own expense. Should any recording later be distributed through commercial streaming platforms, these references remain nominative and expressive, and still imply no sponsorship or endorsement.

Any brand owner with a concern gets the same generous door as everyone else — the takedown procedure below applies to trademark concerns too: prompt, no questions asked.

4. Takedown / removal procedure

Removal is intentionally simple and generous. Anyone — a rights-holder, an employer, or any other party — may request that a track be taken down for any reason. No formal legal claim is required, and requests are honored promptly, no questions asked.

Email djkmad@splitdoserecords.com and include:

• The track title and/or the URL of the track or page.
• A short line on the reason for the request.
• How to reach you, in case a quick confirmation is helpful.

The relevant content is removed promptly on receipt. You do not need to prove ownership or explain further — if you want it down, it comes down.

5. Formal DMCA notice

If you are a copyright owner (or an agent acting for one) and prefer to submit a formal notice under the Digital Millennium Copyright Act, send it to djkmad@splitdoserecords.com with the following:

• Your physical or electronic signature.
• Identification of the copyrighted work you claim has been infringed.
• Identification of the material you say is infringing, with enough detail (title and/or URL) to locate it.
• Your contact information — name, email, and where required, address and phone.
• A statement that you have a good-faith belief the use is not authorized by the owner, its agent, or the law.
• A statement, under penalty of perjury, that the information is accurate and that you are the owner or authorized to act on the owner's behalf.

In practice, the simple takedown request above is faster and covers the same ground — but the formal route is available if you need it.

6. Counter-notice

If content of yours was removed and you believe it was taken down by mistake or misidentification, you may submit a counter-notice to djkmad@splitdoserecords.com with your contact information, identification of the removed material, and a statement under penalty of perjury that you have a good-faith belief it was removed in error. Given how readily this project honors removal requests, disputes should be rare.

7. Streaming platforms

Tracks are distributed to Spotify and Apple Music. A removal here is reflected at those platforms as quickly as their distribution pipelines allow; each platform also has its own reporting channel if you'd rather go directly to them.

8. Contact

All copyright, rights, and takedown matters: djkmad@splitdoserecords.com.